bass guitar



alto, tenor and baritone saxophones, all sax solos and horn arrangements


Hammond B3 organ


lead vocals, guitar, percussion


drums, percussion, back-up vocals

Additional Musicians:

  • The Horns of Mercy: Janet MacRae, Trumpet; Ali White, Trombone; Rick Flanagan
  • Jim Preston: guitar, vocals
  • Dawn Diamond: alto sax
  • Clyde Forsberg: trumpet
  • Mark Paidra: trumpet
  • Les Casson: percussion
  • Georgette Fry: back-up vocals
  • Bob Robertson: back-up vocals

When I first formed this band I thought it might last 2 or 5 months. Wrong!!! It's been over 5 years of a regular weekly gig at The Wellington and what a ride it's been. The club's manager, Peter Schwarz, has been a rock in helping us develop an audience for the blues. Thanks man.

When Peter decided to try blues at The Welly, I got on the phone to my favourite players. First call was to Grant Heckman, the musical director of the band. He's also the musical director of the Kingston Summer Theatre Festival, and plays in other bands around Kingston. I should mention that Grant wrote the original songs on the CD and worked as its producer. As I was saying, Grant got the first call because he knows hundreds of blues songs, plays great, and is a good friend. He was in as soon as he heard it was a steady Monday night gig. Grant thanks Sandra Bell for her support.

Next in was Mike Sakell, Kingston's most enthusiastic drummer and certainly its busiest. He's usually in 6 or 7 bands at once, but Monday nights were free. Mike plays with Grant in Wild Blues Yonder and a couple of other groups, so it was logical that I try to get these two together. For their unfailing support through all the years Mike would like to thank Jim and Ger Sakell; Bros Andy, Chris and Tom; Uncle Spiro for inspiration in "The Corps"; and his partner Sara, "for putting up with me and my drums," and for all the little things she does.

Bassists are in short supply in Kingston but there are some terrific ones. I was hoping Zak Colbert would be interested, as I had played lots of jazz and R'n'B with him. He's talented and has a great sound, as I'm sure you'll hear on the CD. Surprisingly, Zak also had Monday nights free and after 2 rehearsals we had ourselves a blues band. Zak would like to thank his wife Marina for her support.

About 8 months later we invited Ken Hall to join us. The addition of his lush-sounding organ and his savvy skills in pop music – he's been gigging around town for the last 25 years – was the finishing touch on our sound. On this CD, Kenny played a 1957 Hammond BC organ modified to B3 specs and a model 122 Leslie. Kenny thanks Kathie, Ben and Chris for their love and understanding.

In the beginning we played to the walls of an empty club. In fact, our crowd usually consisted of musicians; thus our tradition of having players sit in. Eventually the word got out and we've had full houses for the last 3 years; full of blues fans, friends, local musicians and players travelling through.

Thank you Blue Monday for giving me a great way to start each week and for coming together for this debut CD. I'd also like to thank Pat and Claire for making me practice as a kid; Knobby for being a good teacher of the horn; and my sons Amos and Lincoln for the inspiration they provide me. Lastly, I'd like to thank the many souls, too many to mention individually, who have made my life rich.

- Rick Flanagan

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